Kashmar Rugs

Grapes and raisins, pomegranates and saffron are recalled by the name of Kashmar or Keshmar (also known as Turshiz). It is an ancient area, located in the middle of Khorasan province.
Saffron
In antiquity Kashmar was renowned for the cypress implanted by the prophet Zoroaster at the time of semi-mythological king Kavi Vishtaspa (kay-Gushtasp) as a token of the faith he put on the prophet.
Kashmar had maintained its holy position until AD 861 when the sacred cypress had been cut under the command of fanatical Caliph Al-Mutawakkil. The Caliph was killed in the same year by his son Al- Muntasir, beginning a period of civil strife in Samarra. The events have been deduced a divine retribution by people of Kashmar.
Reliefs of cypress trees in Persepolis
Mihrab of Kashmar Jame Mosque
Mirror work of Bagh Mazar-Kashmar
Today Kashmar is a small town surrounded by orchards and vineyards. Different types of raisins are exported from these rich vineyards. Wickers, Zilous and hand-woven tapestries are Kashmar’s main handy crafts as well as high-grade carpets.

Technical aspects and the structure of Kashmar Rugs

Kashmar woven pieces enjoy an honest weave. Knots are asymmetrical (Persian), pile is woolen with a short to medium length. Warp and weft are cotton. The total structure of Kashmar carpets could be described as tight and firm but rather flexible. Carpet sizes are more favored than area rugs due to the necessity of pictorial designs and the preference of Iranian domestic market.

Dyeing and painting of Kashmar rugs

Deep dark blue is the master key to recognize Kashmar rugs. It is the dominant color of the grounds of almost all pieces woven in Kashmar and villages around. Light blue or beige are used for margins. For subsidiary colors Kashmari weavers use light tones to moderate the total dark blue appearance. These include a wide range: shades of orange, crimson, bluish red, light and medium greens, cream, beige, ivory, khaki, light blue, yellow and buff. Fertile soil of the region provides herbal and mineral dyestuffs.

Designs and patterns of the Kashmar rugs

Kashmar has a reputation for Zirkhaki or Zirhaki designs. This means literally “what is discovered from under the soil”, shortly: relics, including vases, pots, jars, pitchers, crocks etc. These so-called Zirkhakis are main motifs of the design as well as birds, animals, trees and other plants.
Zirkhaki rugs are believed to be originated in Tabriz. Both prayer and medallion designs provide frames for designers to be filled with above mentioned motifs as well as pictures of famous mosques or other historical buildings. Persepolis is a highly regarded theme. Iranians love to celebrate the reminiscence of the ancient Shahs of Persia and ruins of Persepolis stand in the center of their attention.
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